Frame Of Mind revisits the raw energy of early '90s Ruff Disco with Nature Boy's Unfinished Business, a collection of six unearthed gems plucked straight from floppy disks of that era.
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A true gem from the vaults of UK techno, Paul Mac's Native EP finally sees the light of day via Mojuba Records' a.r.t.less sub-label.
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This collaborative effort showcases the producers' signature blend of RnB, House, and 2-Step, resulting in a collection of deeply vibey tracks.
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Kibbi Gibbon crafts a unique hybrid of spaced-out jazz-funk and synth-boogie, a sound perfectly aligned with Star Creature’s signature contemplative instrumental funk aesthetic.
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Released via APHR Records, Love Ensemble II offers a dynamic listening experience, from smooth, melodic grooves to high-energy club anthems.
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Letter To Brazil, a heartfelt 17-track tribute to the rich tapestry of Brazilian music - channeling his deep appreciation for Bossa Nova, Samba, and MPB (Música Popular Brasileira).
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50 tracks for December, in the month O Sótão celebrates ten years of existence. Thank you!
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Attica One is back with a new EP, Osa Peninsula, released via Dope Tones Records. Following up on his previous work, including the Inward EP also on Dope Tones, Attica One delivers a blend of House and Broken Beat across two original tracks.
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Patrick Gibin has just dropped his debut album, Strength In Numbers, on his own Mother Tongue Records. This release follows a string of acclaimed work for labels like Eglo, Neroli, and Sounds Familiar, marking a significant milestone in Gibin’s career.
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This single offers a fresh take on their iconic sound, as producer Daniel Maunick reimagines and extends our pleasure with two captivating dub versions.
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Both volumes of But For A Time, It Was Good are crazy good - in every sense of that expression. But more than presenting this project - divided in two hi-speed, saturated and groovy volumes contain the exact count of zero fillers - we invite you to dive into his work.
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Over ten tracks, Arctween expands on his vast musical world to create a beautiful record that is divided in two sides that are connected and add even more interest to one another.
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Dalston Tape Vol. 1 features a range of styles from soulful and melodic to raw and experimental. Neue Grafik’s masterful production skills are evident in every track, with intricate rhythms, lush textures, and innovative sound design.
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Drawing inspiration from the warmth of 70s funk grooves, the lush textures of dream-pop, and a dash of psychedelic nostalgia, Knowsum’s Cosmic Breeze creates a soundscape that really transcends time.
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D3 Classic Edition kicks off its series with a reissue of 1996 Naquil's Krem de la Krem, a lost gem from Detroit's golden age originally released by Perception Records, a short-lived yet significant Detroit House/Techno label.
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Comprised by two tracks, this EP showcases Jake Amy merging raw energy and a sophisticated brand of hi-speed jazz fusion, while personal struggles and a journey through gender expression is deep within the ethos of these beautiful compositions.
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Last Nubian's new record on Eglo Records, titled We Celebrate Us, is a soulful and jazzy exploration of London's rich musical heritage.
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Tenderlonious keeps delivering some of the best deep house in the scene, presenting three super deep cuts that nod to mid-90s Larry Heard and smudged, jazzy beatdown vibes in a Theo Parrish/Rick Wilhite/KDJ style.
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We're excited to share these gems with you and hope you enjoy them as much as we do.
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Midnight Snacks Vol. 4 comes with three tracks in which we can hear him experimenting with textures that he already knows, nonetheless expanding them in new forms.
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