Electronic
Energy Exchange Records Vol. II. unfolds as a cohesive musical conversation. Contributions from Erica Tucceri, Oscar Jerome, King Owusu, Hurcules and Nathan Haines blend naturally into a sound that moves between spiritual jazz, broken beat and dancefloor-ready rhythms.
From start to finish, the entire record feels incredibly sophisticated. No serious jazz head is going to want to miss this one.
Throughout Messages From Easy Street, Part I, the focus stays on groove, atmosphere and understated emotion, confirming that Jon E is developing into one of Australia's most distinctive underground house producers.
Maboroshi EP conceptual framework sets the stage for a sophisticated deep house record. It caters perfectly to heads who appreciate musical, heads-down grooves with a leftfield edge.
The result is a genre-blurring project that effortlessly connects the dots between indie dance, acid house, electro, and contemporary UK club sounds.
The Italian underground has a fresh transmission. Released via Periodica Records, COSMO-LOGIC channels the spirit of classic Italo-disco while weaving in cosmic disco, minimalist electro and machine-driven funk.
Released on World Beats, Vol. 2 favours atmosphere over immediacy and lets groove slowly take control.
This special posthumous homage respectfully reimagines the original tune for modern dancefloors. It is a stunning tribute that perfectly captures the mellow, hypnotic warmth he was always known for.
Throughout the EP, ambient textures act as the glue, holding together a collection of ideas that feels both intimate and unpredictable.
The highly anticipated debut full-length from the fast-rising Frankfurt and Leipzig-based duo not even noticed dropped last friday. Via Tartelet Records, space beyond noise arrives just in time for the summer warmth and is an absolute masterclass in atmospheric sounds.
The Trondheim-educated percussionist just dropped his anticipated debut album as a bandleader. Arriving via Purple Theory Records, Speak Volumes perfectly captures his visionary approach to rhythm.
Some records feel like they arrive carrying their own sort of weather. That is the case of Coquito, now available on vinyl.
On Jazzthetics, the San Sebastián producer glides between broken beat, house, nu-jazz and soulful electronics with an ease that feels completely natural.
Tezeta is a profoundly complete body of work and the kind of record that instantly feels timeless. It wraps you in a warm sense of familiarity from the very first listen.
Released through Energy Exchange Records, the Melbourne artist keeps pulling threads from different corners of club culture — street soul, ghetto tech, downtempo and Detroit electronics all rubbing shoulders in the same space.
The record feels warm and hypnotic. It is expertly crafted for both solitary headphone sessions and packed dancefloors alike.
A highly musical project, leaning heavily into his soulful influences and delivering a truly spiritual edge for the dancefloor.
Built around chunky basslines, loose house pressure and low-end that lands somewhere between playful and physical, the six-track release moves with one clear purpose: movement and bodies first, thinking later.
A brilliant glimpse into the mind of a musician who keeps pushing the boundaries of his electronic spectrum.
Rami’s presence adds texture throughout, helping the project move beyond a standard club release into something more fluid and cinematic.
The record serves as a beautiful love letter to the pirate radio eras and sound system culture that built his sonic foundation.
Naturally, Max Sinàl’s production chops are sharper than ever. He uses that expertise to craft distinct musical spaces for different emotional chapters.
40% Foda/Maneirissimo leaves behind an incredibly rich catalog of lo-fi grooves and experimental club tracks. More than showcasing their release, this feature pays homage to their entire catalog.
Klin Klop builds something that shifts constantly. Grooves stretch, textures evolve, and voices drift in and out.
Blending broken beat, deep house, and jazz-leaning electronics, EDB steps into album mode with confidence.
Ben Hauke’s brand new EP feels like a snapshot of motion. Ten years of refining a sound that sits comfortably between UK club energy and left-leaning techy house.
Astro, Holo’s new record, sits in deep house, yet pulling gently from elsewhere: hints of dub, acid, fragments of pop sensibility, touches of 90s nostalgia. Immersive but never heavy.
The Spanish imprint, run by Rafa Santos, preserves with brilliance a blueprint of pure deep house, refining the core soul of the genre. This philosophy aligns perfectly with the release of Líbrame, a super tasteful, five-track masterclass by Toolate Groove.
Soft keys drift over steady grooves, while subtle improvisations give the tracks a lived-in, almost conversational feel. There’s a patience to his production, shaped as much by crate-digging culture as by club intuition.
Beyond the rich, dusty originals, the Right Time EP is heavily bolstered by a carefully selected crew of remixers.