40% Foda/Maneirissimo leaves behind an incredibly rich catalog of lo-fi grooves and experimental club tracks. More than showcasing their release, this feature pays homage to their entire catalog.
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Structured to unfold beautifully between dusk and dawn, After Dark explores quiet, introspective themes like urban solitude, intimacy, and distance.
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Klin Klop builds something that shifts constantly. Grooves stretch, textures evolve, and voices drift in and out.
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Blending broken beat, deep house, and jazz-leaning electronics, EDB steps into album mode with confidence.
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Even at its most eclectic, the record stays coherent, held together by guitar motifs, atmosphere, and Alek Lee’s instinct for space.
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Built on an analogue desk and shaped through live takes, Shy Girl In Dub! embraces the unpredictability that defines great dub records. Echoes stretch, delays ripple, and fragments of Hollie’s voice appear like ghosts in the mix.
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Ben Hauke’s brand new EP feels like a snapshot of motion. Ten years of refining a sound that sits comfortably between UK club energy and left-leaning techy house.
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Astro, Holo’s new record, sits in deep house, yet pulling gently from elsewhere: hints of dub, acid, fragments of pop sensibility, touches of 90s nostalgia. Immersive but never heavy.
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The Spanish imprint, run by Rafa Santos, preserves with brilliance a blueprint of pure deep house, refining the core soul of the genre. This philosophy aligns perfectly with the release of Líbrame, a super tasteful, five-track masterclass by Toolate Groove.
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Spoken word fragments drift in and out, stitched between percussion-led passages and hazy dub textures. The groove is still there, but it’s subtler, almost hypnotic.
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Soft keys drift over steady grooves, while subtle improvisations give the tracks a lived-in, almost conversational feel. There’s a patience to his production, shaped as much by crate-digging culture as by club intuition.
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Beyond the rich, dusty originals, the Right Time EP is heavily bolstered by a carefully selected crew of remixers.
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40 tracks that explore a variety of approaches to music, showcasing young promise’s magic and well-established virtuosity. Eclectic tracklist.
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The result sits somewhere between jam session and dancefloor tool. Not overthought. A snapshot of a scene and a mindset, where jazz cats meet club heads and let things unfold naturally.
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The album sits comfortably outside the usual frameworks, offering a space to reset rather than react. It’s about alignment and a gentle reminder to pause and listen inward.
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Chasing Shadows feels expansive but never distant. It celebrates connection, rhythm and imperfection, the kind of details that can’t be programmed, only lived.
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Guohan's music often carries that in-between energy—restless but reflective, rooted yet constantly shifting. Subtle, groove-led storytelling, where textures speak as much as melodies.
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Driven strictly by atmospheric breakbeat pressure, it is music built for finding serious momentum inside repetition.
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Toyin Agbetu resurfaces with The Dark Knight Rises on D3 Elements, a release that feels like opening a time capsule from the deeper corners of UK dance music history.
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On Mali, those threads come together with clarity. The influence of pirate radio, broken rhythms, soul and jazz is still there, but now it feels more distilled. More hers.
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