Gianni Brezzo is a jazz band/studio project headed by the Cologne-based producer, multi-instrumentalist and musical mastermind Marvin Horsch. His new album, Tutto Passa, is a sonically rich piece, exploring new approaches to music production and timeless textures with all the elements flowing in perfect harmony.
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Dédalo is Pachakuti & young.vishnu’s second album and in it we see the german jazz/beat duo taking their joint project to new heights. Together they develop mesmerizing organic textures of instrumental hip hop and orchestral jazz and groove.
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The navigation through O Sótão’s April is easier through the month’s playlist, summarizing a high-karat-gold selection of the artists and projects we’ve showcased. The usual 50 tracks explore a variety of approaches to music, showcasing young promise’s magic and well-established virtuosity.
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Lord & dego’s new project, via 2000BLACK, follows up on the self-titled LP that came out last year and presents 12 tracks that feel like a dream come true for electronic jazz aficionados. Lord & dego 2 is an ode to the exploration of sound and rhythmic progressions.
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Following up on the impressive debut With Love, From Glasgow, Rebecca Vasmant drops her sophomore project via Tru Thoughts tomorrow. Dance Yourself Free EP is comprised by a blend of live and electronic music, channeling Rebecca’s passion for jazz and broken beat.
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Expectations for Jas Kayser’s first work have grown over the last year and the smooth Jas 5ive ends up exceeding them with meditative arrangements, refined fusions of jazz and afrobeat and a well-crafted production that makes every element shine.
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Exploring the and pushing the boundaries of the intersection between jazz and electronic music, K15 presents a two track record that we’re glade to hear, share, pray to… Evolving his unbelievable skills 7 Inch Nails is composed by two timeless and sophisticated pieces of future jazz.
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Dundundun are back with another exciting record of dancefloor-oriented jazz music. Having dropped last friday, Future Hope EP delves into exciting new perspectives on jazz music and the sounds of the new broken-beat-jazz school.
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The Journey Is The Place To Be is a five-track EP inspired by the spacetime continuum of the cosmos, providing a relaxed and deep sonic experience. Based in London, Arnheim keeps delivering a very own brand of jazz-influenced electronic music.
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Artistically, the album cements Flo’s transition from lo-fi productions to hi-fi mixtures of jazz music, hip hop or alt r&b, providing a zen-like clarity, tranquility feeling throughout the project. Like the best jazz records do, Close Distance will survive time.
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The jazz multi-instrumentalist Quinn Mason and one of O Sótão’s favorite producers Stefan Ringer present a special collaborative record entitled Nitecap EP. Released via Ringer’s FWM Entertainment imprint, this six track record is striking to say the least, blending all the musicality from the two artists.
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In Clay they deliver fast paced groovy rhythms that feel organic and live, taking in inspirations from UK jazz and broken beat. While the two originals are representative of the band’s vision, the remixes add an extra dancefloor class to the EP.
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The road keeps appearing in the horizon as the drums of “Taxi” blast through. We move up a gear and the soulful spirit of Acousmatics’ instrumentals take the scenery… The bass and the rhythmic section meet between breaks and we feel the heat.
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March’s playlist is larger than usual. This month was especially strong in new releases and we want to summarize the best of it in a list that you can revisit when suitable…
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The second installment of Neue Grafik Ensemble’s Foulden Road series dropped last friday through Total Refreshment Centre, reflecting the bandleader’s social surroundings and the ensemble’s bold live energy.
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Both Os Tatuís and José Roberto Trio are now reissued by Far Out on vinyl. Across both of these historic albums, Bertrami’s stunningly performed compositions are rich with harmonic complexity and rhythmic ingenuity, providing a precursor to some of Bertrami’s futuristic fusion with Azymuth later in his career.
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Recorded on the 50th anniversary of humankind's first step on the moon, Astral Flex’s I Can See My House From Here is presented in two forms; as a spacey nu-jazz improvisation on Side A, and as a collection of house/electronic remixes on Side B.
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The collaborative project of Extra Soul Perception releases its second LP, featuring an outstanding array of independent musicians, mainly based in Uganda, Kenya and the United Kingdom. Musically diverse, it connect innovators in their own fields, with each artist bringing unique knowledge and musical culture to the project.
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Following Find A Way (2013), Don’t Stop (Let It Go) (2015) and The Way It Should Be (2017), the legendary work of dego sees another of its chapters. EP IV is the fourth installment of this unmissable series, reaffirming that dego and his 2000 Black crew are truly on a league of their own.
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Singularity was produced at Walters’ home studio, and was created around an audio sample recorded by NASA in space, then expertly transported back to earth by the trumpeter via a magnificent instrumentation.
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